It's probably little surprise that 's debut album feels like a refracted '70s release for 2010: think of double albums like (or even ', given his warm, full-bodied voice) and you'll get a sense of his partial inspiration. Despite appearances, however, the instrumental track 'Wichita Lineman' is an original rather than a cover, so doing 'Macarthur Park' is perhaps a more oblique reference point. Neopost Si 72 Manual Transmission. Joining such German or Germany-based performers like and in the search for techno as a soundbed for the art of the song, is compelling with his vocals as well as his music, though the latter is more prominent throughout the album, as the shuddering, high speed 'Kings in Exile' makes clear from the start. Songs like 'Collage' split the difference between maintaining mood and varying it; there's just enough happening from track to track that the album doesn't fully blend into itself, and keeps a quick, polite take on classic techno at the fore. 'Right in the Dark' brings in both his voice and some acoustic guitar, further showing how the acoustic/electronic fusions of the 21st century almost work better when starting with the latter element rather than the former.